DINA SENNHAUSER

Dina tries to share the responsibility of composing her solo with the audience by letting them decide when and how to dance. Her performance alternates between showdance and automatic talking (practice inspired by automatic writing). Improvisation as a method of real time composition is a central approach in her practice. The dance floor becomes the extended playing field of her social role as a female performer.  There she deals with issues such as accessibility, inclusion, redundancy and planability and entertainment with a critical approach.